ISSUE’s resident expert offers ideas to keep your nerds content this season The sweltering heat of summer has given way to the not so bad heat of autumn and that means Christmas must be right around the corner. No doubt you’ve got some eccentric personalities on your Christmas list and you have no idea what
Politics is full of controversy these days, and although everyone has an opinion about it and the direction our country should be following, our nonprofit status does not allow us to express or endorse an opinion about issues supported by one party, candidate or another. We can, however, speak about policies that affect us in
Click here for digital ISSUE Inside: Surrealist Ball Geek’s Gift Guide Degas at MFAH Collecting Conversations and more
Click here to see the full magazine Inside: Garrett and Laurette’s “Anchors,” AMSET Curator Wilson, Reviewing Wood’s “Curtain Call,” Mail Art, Soutine in Smilovichi, and more.
In writing my little diatribes each month I sometimes feel that I am whistling in the dark. Is anyone really reading these things? Should they? My last month’s attempt to further define The Studio, and open eyes to our goals and aspirations pointed to the outsider artist, the loner who may feel that there is
Garrett, Laurette celebrate friendships in ‘Anchors’ exhibition in November For some, relationships are a fleeting thing. People come. People go. But for others relationships can be the foundation for a lifetime. That’s the idea behind “Anchors,” the exhibition of Sandra Laurette, Suzanne Garrett and friends running Nov. 5 through Nov. 25. The exhibition will include
Wood’s AMSET exhibition, ‘Curtain Call,’ subverts, repulses, delights On the face of it, the gallery is filled with a syrupy confection of “girly” pastel colors and surrounded by gaudy gold frames — an explosion of stereotypical femininity. But if one draws back the metaphorical curtain, one sees a dark, harsh imagery full of violence, that turns
“My paintings are a heap of shit, but better than Modigliani, Marc Chagall, and Kremegne. Some day I will destroy my canvases but (I am) too cowardly to do it.” — Chaim Soutine SMILOVICHI, Belarus — Bloody carcasses, dead chickens, ghoulish faces…. Even today, having been desensitized by artists like Damien Hirst and other exponents
For most museum exhibitions, it is taboo to touch any work of art. The works on display are almost always made by an artist out of reach of the visitor. “The Great Exchange” at the Dishman Art Museum crushes both of those museum norms in this exhibition of mail art. “The show is called ‘The
AMSET’s Sarah Beth Wilson straddles past, present to present art to SETX “Three Als” (1993) by Gael Stack, is an oil painting taking up most of the wall opposite Sarah Beth Wilson’s desk, with marks emulating chalk on a chalkboard. Her office includes a shelf with too many books — from early world art through
