Category Archives: issue-archives

Making A Statement

African American Art from the MFAH’s Collection The works on view in a museum at any given time are usually a fraction of what the museum has in its holdings. The other tens of thousands of objects in a museum’s collection offer curators the challenge of creating interesting, new exhibits. The Museum of Fine Arts,

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Artist’s Blocks

Street Art to invigorate Downtown Houston “The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. Mind takes form in the city; and in

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A View From The Top

One of the things The Studio is known for is cooperation with other institutions. Partnerships between organizations benefit all parties with a show of mutual support, as well as expanding the outreach and capabilities of both groups. We’ve coordinated with various arts and non-arts organizations in the past and are open to those activities in

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On the Cutting Edge

‘Contingent Beauty: Contemporary Art from Latin America’ at MFAH “The Beautiful is always strange.” — Charles Baudelaire. The word “non-traditional” is too trite to describe the exhibition that turned the second floor of the Caroline Wiess Law Building of MFAH into a Mecca of contemporary art this winter. If pressured to summarize my impressions of

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Destructive Beauty

Hammonds’ wasteland/wonderland’ explores value of possessions Consumer culture in America is a wonderland; there are always new, shiny things to buy to assert one’s individuality. However, the flip side to this constant consumption is accumulation and even waste. Hollis Hammonds’ show “wasteland/ wonderland,” on view at the Dishman Art Museum, asks spectators to reconsider the

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View from the Top

We just had a birthday, our 32nd, on Dec. 12. I always consider it a minor miracle that we survived and a lot of other people are scratching their heads about it, too. Be that as it may, The Art Studio is here to serve the artists and the community, and will do so for

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